Time for a retro on what we achieved this quarter, so we can set SMART goals for our return to market.
Coming up in the Studio on 3 October – The Office Party, Act 1
Programme notes
This production contains fantasy violence, drug use, sex references and authoritarian coercion.
Luvvie alert! We simply must introduce you to Trolls of the Two Tonne Bridges, a Dungeons & Dragons actual play podcast, currently playing through the Tomb of Annihilation campaign. Expect adventure, laughs and the occasional dinosaur. And zombies. And zombie dinosaurs.
Dramatis personae and other definitions
Gwynned: A former shieldmaiden of the triple goddess Morrigan. For the crime of saving a mortal man from the Morrigan’s cruel whim, the goddess exiled Gwyn to live as a duck, overlooked by mortals. Recently freed from the curse, Gwyn is negotiating a new relationship with her mistress.
Jinny Greenteeth: Proprietor of the Grove of Oddities, a tacky Sherrydown tourist attraction. In a past life, Jinny was branded a witch after a series of drownings in her Lancashire village.
Renko: A DoOm agent assigned to Sherrydown, furloughed since the office closed.
Harper: A US exchange student trying to sever her ties to the Shadow realm she sometimes enters through revolving doors.
Department of Omissions (DO, DoOm): The UK government department tasked with preventing harm to citizens from supernatural phenomena. Severely defunded under Tory austerity policies and currently prioritising major urban population centres.
Sherrydown, Brackshire: A historic English market town. One of the first towns to lose its DoOm office.
Omission effect: The rejection of certain beings and phenomena by long-term memory. Can be suppressed by concentration, mnemonic techniques, hypnosis, trauma, or the light of the full moon.
Credits
COMPERE: Matt Boothman
STARRING:
Natalie Winter as Gwynned, the Divine
Josh Yard as Jinny Greenteeth, the Spellslinger
Vikki as Renko, the Flake
Marta da Silva as Harper, the Searcher
ROLEPLAYING GAME SYSTEM: Monster of the Week, designed by Michael Sands
MUSIC BY: Alexander Pankhurst
SOUND DESIGN BY: Matt Boothman
EDITED AND PRODUCED BY: Matt Boothman